LMAO (Laughing My Ass Off) is an acronym that takes laughter to a whole new level of intensity. It is used to downplay a statement, add irony, levity, humility, empathy, or commiseration, expressing amusement, or just neutral. Lmao and lol are used when you don’t know how to respond to the text “I thinks”. They are used when you don’t feel like continuing a conversation most of the time but there are also instances where that’s not the intention and you want to keep talking.
LMAO can be used to express laughter on its own or be paired with other expressions of laughs. It is an insanely fast, mobile-friendly meme generator that allows users to make LMAO! memes or upload their own images to make custom memes. The term has various meanings, such as “goblok” which means “stupid”, “silly”, “dumbass”, brainless idiots, or something like that.
In his latest book, Riley Sager shows how much he’s grown as an author, having finally graduated from writing stupid women to stupid kids.
📹 Stupid Easy Trick to Write Better Lyrics🔥
This stupid easy trick to write better lyrics will stop you from struggling with writing lyrics. There’s no one formula for writing a great …
What level should I be at Deathbird?
It is recommended that the boss, which typically appears in areas containing enemies, be attacked by first clearing the area of these enemies before facing the boss. It is recommended that players reach the following levels before attempting to progress to the next area: 20+, 30+, 40+, and 50+ for Limgrave, Liurnia of the Lakes, Weeping Peninsula, and Atlas Plateau.
How to beat death song?
The Death Song, a dragon species, is a formidable foe that can be defeated by riding a Thunderdrum, which is immune to its song. However, Death Songs struggle with small spaces and can be affected by the echo of their own song. Training for Death Songs is unknown, but a baby Death Song named Garff has shown that singing can create a bond with humans.
In Imperfect Harmony, a group of dragons discovers an island and find all their dragons missing. Toothless, the only remaining dragon, leads them to a cove where they find many dragons trapped in amber. The Death Song emerges, devouring them and spitting amber at them. Hiccup, with help from Astrid, trains a Thunderdrum to be immune to its call. They lure the Death Song away from the cove and set fire to the amber using high friction and Monstrous Nightmare gel. The amber melts, and the dragons are free. Hiccup traps the Death Song in a cramp cavern, allowing the rest of the team to help free the other dragons.
What is Death Rite Bird weak to?
The Death Rite Bird is a creature of low vitality and high sanctity, rendering it challenging to inflict significant damage upon. In order to optimize the potential for openings, it is recommended that melee classes assume a more aggressive stance following slash or thrust attacks, maintaining a defensive position to avoid peck attacks. The infusion of holy energy into holy armaments has the potential to accelerate the combat process, as the bird will typically flee after a brief interval.
How to beat Death Rite Bird?
The Death Rite Bird is a challenging creature that requires an aggressive approach, requiring ranged attacks and spells on horseback or rushing in to counter its attacks. It can leave flaming trails of frost-infused blackflame, which can be fatal if left unattended. The bird’s spear attacks are infused with Black Flame, but they inflict Frostbite instead of increasing the death meter. To defeat it, avoid getting near the flame trails and avoid being near the bird’s spear attacks.
Is Death Rite Bird optional?
Death Rite Birds are powerful, recurring bosses in Elden Ring that appear at night. These decaying birds have incrusted corpses, partially covered in ghostflame, and are guarded by the spirits of the servants of death. They are believed to be the offspring of the twinbird, an envoy of an outer god. Their purpose was to tend the ghostflame by raking out ashen remains from their kiln. They were known as graveyard fire keepers and were widely active before the Erdtree.
Is death a rite?
The rite of passage for death is a funeral ceremony, marking the transition from being alive to dead or from living in this world to the next. Anthropologists Arnold van Gennep and Victor Turner have conceptualized rites of passage as having three stages: separation, transition, and ancestor. The separation stage involves participants leaving their previous state or roles. The final rite of passage is death.
How strong is Metabee?
Ikki, a young Medabot, longs to become one but cannot afford one due to his financial constraints. He discovers a rare Kabuto Medal in Riverview City and buys it, which he later names Metabee. Metabee is fast and powerful, capable of defeating Phoenix and two Blackrams alone. Although initially disobedient, Metabee and Ikki form a bond, fighting for common goals.
Metabee, a beetle-type Medabot, has a passion for watermelons, as revealed by Henry after attempting to bait him with the fruit. His personality is headstrong, arrogant, and overconfident, but he learns to be kind and loyal to his friends. His stubbornness and refusal to give in are key aspects of his character.
Ikki and Metabee attend a World Robattle Cup, similar to Henry’s previous efforts. They stop an event similar to Ten Days of Darkness when Ikki rescues Metabee from his dream before shutting down his Medabot. When Dr. Meta-Evil sees his plan to make Medabots own the world fails, he sends a giant Medabot to destroy the city and the world. Dr. Aki builds a Giant Metabee to fight this threat, but it must be driven by Metabee and other Medabots to power up him.
After a long and hard Robattle, Metabee sacrifices himself to save the world, self-destructing the Giant Metabee with him inside. He is revived and brought back, and Ikki can end the Robattle against Victor.
Is Deathbird evil?
Deathbird, a major X-Men villain, attempts to steal the Shi’ar throne from her sister Lilandra, who was the paramour of Professor X. With the help of the Brood alien race, she steals the throne and eventually takes over the Empire. Lilandra, with the help of Charles Xavier, helps her take back her rightful place on the throne. Deathbird eventually makes peace with Lilandra and helps her defeat the Kree in the Shi’ar/Kree War. When the Shi’ar conquer the Kree, they elevate Deathbird to Viceroy and ruler of the Kree Empire in the Shi’ar’s name.
Deathbird has a brief romance with Bishop and her most important romance is with Earth mutant Gabriel Summers, also known as Vulcan. When Cyclops’ parents, Christopher and Katherine Summers, were abducted by the alien Shi’ar, the unborn mutant child was spared. He grew at an accelerated rate in the Shi’ar Empire’s labs and became the consort of Deathbird. He eventually takes the throne, becoming Emperor Vulcan, with Deathbird as his Empress. They have a hybrid child, whose name, gender, and current whereabouts are unknown.
How strong is Deathbird?
The Deathbird has the following combat information: NG+HP5, 5888, 264; defense 110118; and 6, 60019, 800 resistances. The Deathbird has been observed to possess runes 2, 800 (NG), 700 (NG, Co-op), 3, 900 (NG), 975 (NG, Co-op), and 6, 600 (NG).
How do I get to Mohg?
Mohg, Lord of Blood, can be found in Mohgwyn Palace, which can be reached through White Mask Varré’s questline or using the teleporter at the Consecrated Snowfield. The first method is faster and may be faster before level 100, while the second method is more suitable for level 100. Once in the palace, cross the pools of blood towards the central mausoleum and traverse the tunnels to reach the top. Mohg is located at the top of an elevator just after the Mausoleum Midpoint Site of Grace.
Mogh has two phases: the first is immobile, and the second is more challenging. To defeat him, dodge his spear strikes and Bloodflame Talons, which leave three clawmarks in the air. Be cautious of attacks that spray Bloodflame on the ground, as they can deplete your health during the battle.
What is the best damage against Death Rite Bird?
The Death Rite Bird is vulnerable to Strike damage, which is a type of physical damage dealt by certain weapons in the game. Hammers, Flails, Shields, Fists, and some Clubs are useful against the boss alongside Holy weapons. The boss resists Pierce damage the most, so avoid using weapons that rely on that category. Many Death Rite Bird attacks use ghostflame, a wide-spreading fire that inflicts Frostbite, a status effect that can quickly destroy a portion of a character’s health.
To avoid Frostbite damage, bring gear or consumables that resist Frostbite. The best strategy against the Bird is to use Torrent to quickly enter and retreat after a few hits, while being close to the boss to prevent its strongest magic. Pay attention to the Bird’s patterns and learn to counter specific moves it makes consistently.
📹 Kiss Kiss (TMHS)
___^ pfft…lmao…its kinda stupid…but thats okay rite!
It’s always fun when you find a really important piece of advice and realize you’ve already been following it for years 🙂 Not quite the same as validation or feeling like you’ve been doing it “right”, because in a creative space like songwriting there isn’t really a right or a wrong, but it’s encouraging all the same.
“I’m gonna fly as a bird through the night” from Chandelier is not a WHY, but rather more HOW. The lyrics of that song just gives you metaphors that sets the listener in the scene and help convey the current feeling and somewhat dark actions of the person in the song. The lyrics talks about being mentally in a bad place (the reasons left to interpretation) and overall the song means you’re holding on for dear life. The WHY isn’t given to the listener.
Thanks. This helps out a lot. True story. I’ve been writing music ever since I was a young kid, and when I was a kid, I wrote songs like crazy. They just popped out like nothing. I would see the things you’re describing. The thing now is that when I was in high school, I got some head injuries playing football that I only just recently found out about in the last few years. Im not stupid, it’s like my brain just works in a entirely different way. I can’t seem to write good lyrics to save my life now, but I’m glued to my guitar now. Just one of those things. Seeing this really kinda reminded me how I used to write though. I guess I was doing some of this stuff just not knowing it at the time. I’m gonna see what I can do now. Thanks again
I heard it said once that the art of writing poetry is essentially alienation. That is, taking something familiar and looking at it or expressing it in an unfamiliar way, making the mundane seem extraordinary. If you can do it in a particulary interesting or striking or beautiful way, you have poetry – or in this case, song lyrics. This is really what this “SHY method” is really about.
When deciding between similes and metaphors, I try to think of how strong it should be. With “I’m like a stone”, the focus is still on me, but now I’m rather stone-ish in some particular way. Whereas “I am a stone”, I’ve now fully become the stone and ready to take on all traits of being a stone, like rolling or gathering moss or no moss.
I tend to break the rules quite a bit in every regard(I don’t write pop music), but one thing I always do on every song or verse is the ‘why’. I always figure out a way to tie my lyrics and structure together with some intent. It makes the song feel like it has a purpose. Now this article brings new ideas, especially with regard to working with other artists who are more pop oriented. Good shit! 🤘
Having watched the whole article, I’ve got some criticism to make. I really don’t think you’ve made great choices in terms of songs. “Firework” by Katy Perry is not an example of good lyricism, not even in the context of a pop song. Any bored teenager can write bland lyrics like that, and that’s definitely not a sign of artistic greatness. “Chandelier” by Sia is quite similar. The lyrics aren’t as bland as “Firework”, but they’re not particularly good either. What really makes the song ‘worth a listen’ are Sia’s fantastic voice and her great interpretative skills. Again, definitely not the lyrics. “Creep” by Radiohead, in my opinion, has the most interesting lyrics out of the three songs you picked, but frankly, as a long-time, huge fan of this band, I gotta say they’re not particularly good lyrics. He definitely wrote much better stuff (lyrically) than “Creep” on later Radiohead records. It should be noted though that Thom was only 24 when he wrote them and that he was never satisfied with them (I think, to this very day). One more thing – I understand and appreciate your willingness to provide some advice to young songwriters, but, at the same time, I also think that articles like these can be a bit ‘dangerous’ as they can potentially ‘flatten’ and standardize people’s writing. I mean, there’s a reason why Bob Dylan’s (or Leonard Cohen’s) lyrics are instantly recognizable. It’s because they’ve never followed any advice, and in doing so, they have developed a way of writing lyrics that is very personal and that, ultimately, makes their pens truly unique.
An example of a song i wrote using this method: they say numbers tell no lies i stop and think before i dial it would you tell me you cant hear me i bet that club so crowded or could you hear it in my voice that im alone and i feel surrounded tell me that you’ll be right there breathe count to a thousand your love is like a deep breath at the top of a mountain they say you cant get over it then you go around it i cant get over it there’s no way around it i cant get over you and i need you need you around me i need you around me your love is like the finish line lookin back at those who doubted your love is like the sun and sky still keeps me grounded your love is like a deep breath at the top of a mountain they say you cant get over it then you go around it i cant get over it there’s no way around it i just cant get over you and i need you need you around me
I want my lyrics to be less obvious. One of my favorite lines is from Jeremy by Pearl Jam, “Jeremy spoke in class today” and I think how genius is that of a way to say “jeremy shot himself in class today.” John Prine is another one of my favorite song writers and he writes lyrics that are so relatable and paint a picture. He has a lyric “Climbing walls while sitting in a chair” about someone using heroin in Sam Stone, for example. In All the Best, a song about divorce, he writes “Say you drive a Chevy, say you drive a Ford, you say you drive around the town til you just get bored” which hit me hard because that’s exactly what I did when I split with my fiance many years ago. You don’t have to directly say your point, but it’s made. I also want to write something where I know what it means, but it can be interpreted in different ways, like in poetry. What I don’t like about the simile example in Katy Perry’s song is that it explains exactly what she’s trying to say. It takes away the impact, for me. In Summer’s End, Prine writes “well I can see that you can’t win for tryin and new years eve is bound to leave you cryin. Come on home, you don’t have to be alone” that can be interpreted in so many ways. And when you watch the article, you see it’s about a mother dying from a drug overdose and the grandfather raising the child and so it’s like his message to her. It’s heartbreaking and it wasn’t spelled out for you. You could have interpreted that in your own ways. Amazing stuff. Your article really got me thinking about this and I’m going to watch more of your articles and check out your site and keep working on writing and performing.
Good vid and yes this is a way, I think you have to do what works for you. Most songwriters fight with themselves and spend too long thinking and overthinking. I have a book side of bed wake up and write the words because you never remember the next morning. Also I just write what comes into your head I can write 6 songs a day and then spend time going over editing ( sometimes months) but get the basic thoughts down first. I think the content you have on your website is really a great watch cheers David
I make lots of instrumental music, and I write a lot of words. I should be a natural at songwriting, right? Wrong. Even with those two conditions and practices, I hate trying to write song lyrics. My solution? Never try, because trying to write a song will make me hate the process. Good solution? No, not really, because I’d like to write songs my own way. I like starting with an instrumental, and then let lyrics occur to my mind if they do, and if they don’t, I made a nice instrumental. Um, this S.H.Y. method might actually get me unstuck. Really I want songs to have a purpose, and express something that is quite a bit bigger than the words. Thank you for this article. I like your ideas.
“I’m gonna make a change/for once in my life/ it’s gonna feel real good/ gonna make a difference/ gonna make it right/ ..” this is the pinacle of an imortal anthem that was ever written. It tells the story trough inner monologue but out loud. How much personal can it be, than to whiteness someone facing their biggest fears and finally coming to the point of Realisation about themselves. Your all alone, only you and the man in the mirror. 💚 Thanks for the tipps
Hey guys thanks for the article. So I have a weird scenario, I happen to be a great writer and lyrics and ideas come to me very easily, BUT I am ZERO musical, so I have a bunch of these complete songs in my phone with barely any melody involved besides a drop of a ryrhym in my head that I can’t even express. I want to show my most recent song I wrote and tell me what u think: Title: You Taught Me The Song Intro: I’ve heard about these things before, thought I understood it all I’ve seen it in movies, heard about it in song When they say you can’t keep living That the future is bleeding Thought I knew what it meant But it was all in my head I’ve heard about these things before, thought I understood it all Oh hell I wish that you didn’t, but girl you taught me the song Chorus: It’s a broken heart A way to start Doubting my reason – Doubting my reason to keep on this breathin I turn right there your sittin Turn left here I’m grievin One minute I’m beamin The next here I’m singin – Bout why to keep on this living Damn I’m feelin that feelin Cuz girl you taught me the song Bridge 1: Some say there’s another Some say lose my number Some don’t mean no harm Some can’t be more sharp But however the storm chooses to open its gates You’ll be lying here with me wondering what it takes To click on erase To get her back to your place Chorus: It’s a broken heart A way to start Doubting my reason – Doubting my reason to keep on this breathin I turn right there your sittin Turn left here I’m grievin One minute I’m beamin The next here I’m singin – Bout why to keep on this living Damn I’m feelin that feelin Why girl you taught me the song Bridge 2: Can’t turn on the radio or lean back my seat Can’t roll over in bed and see it’s empty Cuz all that stuff kills me Reminding me of what I see – As a love on the brink All because of me Now all that’s left of my misery Is my new understanding Of what they sing on the frequency Cuz my baby she’s history Chorus: It’s a broken heart A way to start Doubting my reason – Doubting my reason to keep on this breathin I turn right there your sittin Turn left here I’m grievin One minute I’m beamin The next here I’m singin – Bout why to keep on this living Damn right I’m feelin that feelin See girl you taught me the song (why) Outro: I’ve heard about these things before, thought I understood it all Oh hell I wish that you didn’t, but girl you taught me the song Yeah why’d ya teach me this song
This is such a helpful article, I’ve studied lots of music theory in college but where I’ve always struggled is creating lyrics for my songs. I’ve always been strong in English but these concepts are so new and refreshing to my mind and make so much sense to what I’m trying to accomplish. I wish I could’ve received this kind of useful education earlier in my career. I don’t know what school or program you attended to learn this techniques but I would be incredibly in your debt to share with me lol. Thank you for all your amazing content I’m hooked.
Interesting advise and I’d add another color to that palette – flow. Just start writing without stopping and then go back and look for SHY areas to touch up. I like to get it all out no matter how the words collide for those are my ideas and not a copy of something I’ve already written. At least that’s my hope and oft times I’m pleased and what the listener hears is no longer of importance to me.
Interesting article. I enjoyed it. There’s just one thing you forgot to point out: That there is a difference between “good lyrics” and “lyrics that the masses will like”. Because I’m sorry but… “tonight’s gonna be a good night. Tonights gonna be a good good night…” what the crap is that? I know that’s not a new song but really, most modern song lyrics are garbage. But I could definitely see this method working for people who want to write popular music…all I’m saying is there’s a huge difference between what people think they like and what is actually demonstrative of good, quality writing. Then again, it’s all kind of subjective.
Like a mighty sea veseel she sails the waves of sorrow, heart filled with grief, she knows no surrender, truly a vessel built for tough waters strong is she .ready to face life head on. Once a hero’s queen now a lonely star Though lonely,still shining brightly . Take care of my little soldier cause I don’t think I’ll be coming back.
Marc Bolan from T-rex uses similes, e.g. (this is for real .. I kid you not) … “I could have loved you girl like a planet” … here’s another one, “I could never ever see the cosmic sea was like a bumblebee .. yeah”, and yet another (same song) “I have never ever kissed a car before, its like a dooor, oh yeah”. So is this kind of what you mean? (just realised that Marc didn’t do the second part explained here i.e he didn’t explain WHY ‘kissing a car is like a door’. Ahhh… so THAT’s why his lyrics sound like balls!)
Now me personally I just write how I feel. Im kind of in a trans state while writing lyrics so I have no idea how I come up with any of it I just know it is how I feel about something I have on my mind. Once I got the hang of writing I took off. Eventually I wrote my ep (I like to say mini album) “Bedroom Thoughts” which combined with my ep “Bipolar” creates a storyline that all based on true events. I just sit back mess with chords come up with a chorus, produce some of it and jam to the music until I have more ideas. Thats a small break down of my process.
I just tried it and here are the results. It’s a song about facebook. I forgot to use actual simile so I had to add that in and rearrange a bit. The resulting one liners seem to tie it all together, though. The third chorus doesn’t really follow Song Title-How-Why, it’s more like a punch line followed by the rest of the chorus which is kind of a reflection in that slightly different context. I like that ending, but I thought I should explain that part to avoid anyone misinterpreting in an attempt to add a specific system to the inconsistency. Anyways… I feel like a vulture ate me. It was easy, you still hurt me. I just looked back at the drama. fragile fragments stack with camas And now I’m like… I better get behind the quiet tree. Why bother with it if it bothers me? Why don’t I get it when it get’s to me? Why don’t you get it, what it meant to me? It’s like you broke my mask and bashed my face in. Why be honest if you’ll listen? Told me lies were not important Then you screamed at lucid horrors. And now I’m like… I better get behind the quiet tree. Why bother with it if it bothers me? Why don’t I get it when it get’s to me? Why don’t you get it, what it meant to me? (cheesy guitar solo) And it goes a little something like… Na na na boo boo I can’t catch you. Mom let me come back. But she knows no slack comes from your habitat. Eye roll, political, bird attack And now I’m like… Hi there, I’m stuck behind the quiet tree. Why bother with it if it bothers me? Why don’t I get it when it get’s to me?
Been working on a song. Its not finished… im still working on it: Verse 1: She got the blonde hair with the blue eyes, Skin so tan and its so bright, Almost burn my eyes like its sunshine, Wish I met you like yesterday, Hook: And in my head I’m going, Why cant I have met you before, Im with a bride I cant ignore, And im like, and im like, Chorus: Oh na na na na na oh na aye, Oh na na na na na oh now wait, Oh na na na na na oh na aye, Wish I met you like yesterday, Oh na na na na na oh na aye, Oh na na na na na oh now wait, Oh na na na na na oh na aye, Wish I met you like yesterday, Oh na na na na na na na na, Oh na na na na na na na na, Oh na na na na na na na na, Wish I met you like yesterday,
My question is: is this tip used intentionally by those who use it “successfully”, or is it incidental? Cause that would determine if this is really a good tip or not in a way? Idk, I see how it can be helpful to come up with process and practices like this to come up with something nice, but at the end of the day it all comes down to chance and an innate feeling irrespective of the technical aspects of the lyrics/music. Idk lol
‘Stupid Easy Trick To Write Better Lyrics’ is to find yourself in the same situation as at least 2 of the 3 artists that shown here and thats under MKUltra Monarch mind control programing and performing satanic black magic spell casting rituals. Sia is arguably female artist number 1 for being under MKUltra, going from her music articles and because she writes songs for the other major female MKUltra artists Katy Perry, Beyonce, Rihanna (I don’t know if she writes for Lady Gaga but she is in the select top group). Theres a good reason Sia”s hair is black & white (checkerboard programing). Taylor Swift is arguably runner for number 1 also but she’s in a whole different league of her own.