Aughra, a three-eyed creature, is the voice of Thra and the Crystal of Truth. She has a long history with the urSkeks, the urRu, and the Skeksis, and helps Jen in his quest to heal the Crystal. The Netflix series The Dark Crystal: Age of Resistance follows the Gelflings’ rebellion against the Skeksis, revealing their origins and the origin of the Garthims. Aughra only completely turned her eye to the stars when the Skeksis gifted her with her orrery, and she was well acquainted with them.
The series finale left many questions unanswered but hinted at a possible sequel. Mother Aughra’s resurrection, the crystal shard, the Garthim, and Deet’s fate are explored. Aughra is a feisty earth mother amalgamating the diverse array of genders and species inhabiting the planet Thra. She comes upon a creature in her net that she thought was long extinct, Jen, one of the urRu. Aughra learns from both the urRu and Skeksis, and the urRu migrated to the valley. Aughra witnessed the Skeksis crack the crystal, and Aughra used to watch over it until the Skeksis distracted her with stone rituals, leaves, and smoke.
The waters of the Mmir’s Well bestowed cosmic knowledge that was unparalleled. Aughra, who becomes obsessed with knowledge of the Skeksis and Mystics, is born from the waters of the Mmir’s Well. Raunip, born from the Mmir’s Well, is known as the “Son of Aughra”.
Aughra leads Jen into a cave, where he loses track of her in the darkness. A door opens, hinting at a possible sequel.
📹 Skeksis Explains Why It’s Okay to Be Cruel (The Dark Crystal: Age of Resistance 2019)
I noticed the Chamberlain using the same excuse that people often use to justify eating animals. ‣ Important Documentary: …
Is Aughra a puppet?
Aughra is a character from the prequel series, The Dark Crystal: Age of Resistance, voiced by Donna Kimball and puppeteered by Kevin Clash. In her review, Samantha Puc suggests that while the series offers a glimmer of hope amidst the darkness, it may not be suitable for children.
What is the prophecy of the Aughra?
Aughra, a hermit, lived in the Castle of the Crystal after her observatory was destroyed. She was disgusted by the Gelfling race’s veneration of the Crystal, believing its healing power was dependent on offerings. Aughra consulted the stars for prophecy, and as Thurma shattered the Crystal, she received a vision foretelling the rise of one world at the expense of another. After the Skeksis and urRu were reborn, Aughra tried to convince the urRu to help in its retrieval, but urSol secretly gave her an enchanted tuning fork, summoning Bohrtog.
Aughra took refuge in the Castle’s upper towers with Kira and remaining Gelfling guards. During the siege, Aughra discovered an approaching premature Great Conjunction summoned by the urRu. When Thurma healed the Crystal, it shattered and reformed, while the urRu and Skeksis rejoined as urSkeks. Aughra realized her prophecy was misinterpreted and meant the death of old ways, represented by the materialism of Gelfling culture. Jen and Kira, restored to their youth, bid the oracle goodbye, but Aughra believed they would see each other again.
Who is the most evil Skeksis?
Netflix’s The Dark Crystal: Age of Resistance has sparked a renewed interest in puppetry, Jim Henson’s fantasy worlds, and Gelflings. Fans have grown affection for the Skeksis, an unlikely group of creatures who are elaborate, bombastic, and charming. SkekVar, the General, is the worst of the Skeksis, enjoying hurting Gelflings the most and actively wanting to start a war to bathe himself in Gelfling blood. However, the best Skeksis will be determined through a hybrid judging system based on fan-favoritism, personality, and actions.
SkekVar, the General, is the worst of the Skeksis, as he enjoys hurting Gelflings the most and wants to start a war to bathe himself in Gelfling blood. SkekMal, the hunter, only enjoys hurting things for the thrill of the hunt, not just to end lives left and right.
How are the Skeksis and Mystics connected?
Cheryl Henson interpreted the Skeksis and Mystics as two aspects of the entertainment industry, with the Mystics representing the creative side and the Skeksis personifying the financial part. Peter T. Chattaway suggested the Mystics represent the spiritual realm, while Professor Sidney Dobrin characterized them as personifications of environmental harmony, contrasting them with the Skeksis who symbolize the physical.
Who is the son of Aughra Dark Crystal?
Raunip, also known as Raunip the Heretic, was the adopted son of Aughra, born before the Fallen urSkeks arrived on Thra. Born during the Age of Innocence, Raunip arrived on Thra via an organic meteorite discovered by Aughra. Aughra molded the rock into her own image, inspiring her to study the Uni-Verse. However, Aughra kept his origins secret, leaving Raunip to believe he was a native of Thra. The urSkeks, medidlers and usurpers, were cast out from their own world and would claim Thra as their own.
What are the 7 clans of Gelfling?
The Gelfling people of Thra were described as innocent, naive, and forgetful by Aughra. They formed a high civilization of seven great clans during the Age of Division, led by a matriarch called the All-Maudra. Dreametching, the act of etching thoughts and ideas into physical shapes, was often used by literate Gelfling for writing and abstract divination. Dreamfasting, the sharing of memories via physical contact, was also a skill of the Gelfling, as was Aughra.
Is Aughra a Gelfling?
During the Age of Resistance, the Gelfling rebelled against the Skeksis, seeking support and wisdom from Aughra. Initially, Aughra maintained a distance from the Gelfling, but after witnessing the Skeksis’ betrayal of the Crystal, she became their most powerful ally. Initially, Aughra was interested in acquiring cosmic wisdom. However, she ultimately allied with the Gelfling to safeguard the Crystal.
Why do Skeksis hate Gelfling?
The Wall of Destiny predicted a Gelfling would lead to the downfall of the Skeksis Empire. SkeksSo ordered the complete extermination of the Gelfling race, initiating the Garthim War. Skeksis created five false Shards to confuse Gelflings and unleashed their army of Garthim soldiers. They selectively bred Crystal Bats to act as spies, locating hiding places for Garthim. SkeksUng led the war, rooting out resistance and draining survivors to the Castle.
As Skeksis’ paranoia grew, they slaughtered their prisoners, preferring safety over pleasure. All Gelfling were exterminated, except for Jen and Kira, who were fostered by urRu and Podlings. The Great Conjunction comes, and they will live forever.
Do Skeksis have genders?
The Skeksis and Mystics, not technically from Thra, have no defined gender. Jim Henson states that the Skeksis are an uncomfortable mixture in between, with SkeksEkt the Ornamentalist being more feminine and dainty than the other Skeks. Their pronouns are often debated among Dark Crystal fans, with some using she/her. The Mystics are described similarly in The Dark Crystal Novelization, with A. C. H.
Smith stating that the urSu had evolved as a species of neither gender, and therefore had no concept of it. As the other halves of the Skeksis, and the urSkeks themselves are large beings of glowing light, it makes sense that the Mystics also have no real gender.
Who is Rian dark crystal father?
In The Dark Crystal: Age of Resistance, the main protagonists are Rian, Maudra Fara/The Rock Singer, Ordon, and the Grottan Clan. Rian is a member of the Stonewood Clan and unites the Gelfling people against the Skeksis after witnessing his girlfriend Mira’s murder by the Skeksis. Maudra Fara challenges Seladon as the All-Maudra, but she dies during their first battle with the Skeksis.
Ordon, a member of the Stonewood Clan and captain of the Crystal Guard, helps Rian retrieve Rian from the Skeksis. He sacrifices himself to save his son from skekMal. The Grottan Clan, a secretive Gelfling clan, reside in the Cave of Obscurity and are sensitive to sunlight, wearing special blindfolds to filter light. They appear in The Dark Crystal: Age of Resistance.
Deet, the animal carer of the Grottan Clan, learns of the Darkening from Vliste-Staba and helps in the rebellion’s formation. Maudra Argot the Shadow Bender, the leader of the Grottan Clan, was the only Maudra that didn’t accept Seladon’s invitation to her coronation. Mitjan, the father of Deet, is the partner of Lath’N and a member of the Grottan Clan. Lath’N is the father of Deet, and Bobb’N is the brother of Deet.
In summary, The Dark Crystal: Age of Resistance features several main characters, including Rian, Maudra Fara/The Rock Singer, Ordon, and the Grottan Clan. These characters play crucial roles in the fight against the Skeksis and the Gelfling people.
What is Mother Aughra?
Aughra, the embodiment of the world of Thra, was born to fulfill Thra’s desire to view the world from the rocks and roots. She guided early races, such as the Gelflings and Podlings, on dreamfasting and animal soul speaking. Aughra was considered an ancient and wise being by the races, known as Mother Aughra. Over time, Aughra’s thirst for knowledge led her to study the movement of stars and planets to divine the future.
She discovered that other stars contained life when a stray comet landed on Thra, containing life hints. Aughra used her powers to mold the spark into a form similar to her own, giving birth to her son Raunip.
📹 The Dark Crystal Age Of Resistance – Do You Dream?
The Skeksis Emperor and General discuss their fear of death. Season 1, Episode 10 I make no claims to this video clip. I do not …
What I love about this scene is that it doesn’t just explain why the Emperor fears death, but it explains why he’s so adamant that the Skeksis never rejoin with the Mystics (hence why he banished the Heretic). The Emperor has spent the last thousand years committing terrible atrocities without regret or remorse. If he were to suddenly regain the ability to feel empathy and guilt (by reuniting with his Mystic counterpart), it would drive him utterly insane.
This scene was vital for me. Usually dark, evil things worship death, or something very close to it. But not the Skeksis. They try so hard to live they indulge in everything, seeks thrills at every turn and try to amass power endlessly. But all of that, all of it, is just to conceal that they are afraid, beyond afraid, to die. Instead a loud speech, this quieter moment between the Emperor and the General humanized them, showing how they live in denial and are tormented in their sleep, which contrasts to the Gelflings who ‘dreamfast’, able to share pleasant memories with one another. It’s just fantastic.
It’s rare to see villains these days who manage to be both evil and sympathetic. Most “sympathetic” villains will just pull out some sob story about why they’re doing what they do and use that almost as an excuse for their actions, Skeksis though are pretty objectively evil, and yet you can understand exactly why they’re doing what they do because it’s a sort of evil that’s very easy for anyone to slip into under the right circumstances.
The emperor (and the rest of the skesis aswell) is one of the best villains in media we have had in years. He manages to have moments of sympathy and depth without being angsty, while still being an entertaining, funny and charismatic villain. Hats off to Jason Isaacs for his perfect performance, but also the puppeteers and director for the various gestures, facial expressions and nuances
This scene actually made me feel pity towards the Skeksis. Hearing the General say he remembered suffering, guilt, and sorrow actually tugged at my heart strings. It’s not often that you see a show or movie that makes you feel sympathy for the villain(s) at some point before their arrogance suddenly takes over them again and you become scared of and hateful towards them again.
I think what really impresses me about this scene is that in the hands of a lesser voice actor, this scene could have easily been groaningly cheesy. And yet each line is delivered with the right level of emotion to make it seem…well, real. It doesn’t feel like we’re perusal puppets. It feels like we’re perusal a king confide in his general.
This is probably the hardest the general had to think about anything in the show. He’s certainly not the intellectual type. As for The emperor, this really is just another stand out moment. He’s made for such an interesting character envoking such fear, pride, and displaying such traces of fear. I feel like he has the values of all the best antagonist in the show rolled into one.
Since the Skeksis are purely materialistic, and the Mystics purely spiritual, it makes sense that dreams and what happens after death are incomprehensible and terrifying to them. The Skeksis have always been capable of cruelty, but early on in their reign they were often very generous, and they were agile, multicolored and beautiful creatures. However, once they began aging, they pursued immortality relentlessly, causing the darkening. Interestingly, the heretic and the hunter never used the darkening to prolong their life, and they appear much healthier than the other Skeksis. This suggests that the use of the darkening caused the Skeksis’ bodies to wither and their colours to fade as their new exterior betrayed how much more cruel they had become. There’s a lot of interesting stuff in the Dark Crystal comics, and you can get a decent summary on the wiki.
It’s awesome how the fleshed out the Skeksis as a race and as individuals in this series. In the movie we didn’t have time for the chance to explore how the Skeksis felt about their existence and condition. Between this scene and the Heretic & Wanderer’s story, we get so much more depth into the two races.
The Emperor is your stereotypical fantasy villian but for some reason it works, he’s not just a “Ahahaha I will rule this land forever!” Moments like this almost humanize him, hell alot of the Skeksiss in this felt more fleshed out than the film. In a way the show is almost better with character development, story and the operating puppetry done to it, you do forgot you’re perusal puppets when perusal it, I certainly did. lol
This is one of my favourite scenes in the show and important to the character of the Skeksis. They weren’t exactly good people after they were separated from the Mystics(I mean, they talked about wiping out the Gruenaks at one point), but they’re so afraid of death that they are willing to do anything to survive. Because they’re not of Thra, they fear they’ll be thrown into nothingness. Even benign Skeksis(SkekGra the Conqueror)and UrGo the Wanderer seem to fear what happens when they die separated, wishing they could be reunited, but terrified they’ll be torn apart further. It makes the Skeksis have more depth instead of just being “evil for the fun of it”. In the first episode when Mira is drained, some of the Skeksis(the General)seem horrified at what the Scientist does(apparently the script had more of a reaction of disgust and fear from them)before they finally give in, desperate to live.
God, this series is so good. I remember reading once that one of Jim Henson’s regret about The Dark Crystal was that he didn’t have enough time in the movie to flesh out the mythos, and if these were the ideas he was wanting to explore, I absolutely understand. Just compare this scene to the story of the Wanderer and the Heretic: We know from skekSo that the Skeksis fear death more than anything, for a few reasons- they have no idea what lies beyond for them, as a split being that isn’t native to Thra, and they wish to preserve their individuality. For them, joining with the urRu isn’t an option because it would strip them of who they are. Between a loss of identity and the uncertainty of death, they’re so desperate for an escape from two (from their perspective) horrible options that they’re willing to enact genocide to achieve that goal. That’s how much they fear death, be it death of the body or death of the ego. And that’s what makes the Skeksis tragic and relatable, but still evil- their reasoning makes them more identifiable without taking away from the horrific nature of their actions. But we also known from urGoh and skekGra that being split the way they are is a torturous existence. “Every moment one is two is too much for one to bear.” It’s why they’re so desperate to rejoin as soon as possible, as compared to the Skeksis, who don’t wish to rejoin at all, and the rest of the urRu, who’d rather wait for the right moment. And that’s implied here as well- the Skeksis don’t reflect on their time as the urSkeks because it draws pain and longing from the memories of being whole, and it might tempt them to consider rejoining with the urRu.
“Now my Slumber is riddle of Nightmares.” That right there is a strong choice of words. For the skeikes are stright up Evil unless you consider the heritic for he is EVIL but he is also label as a liar hence the name he was know now. The Heritic, and here the emperor most Vile of them all or one of the most Vile… Then again all are vile but nevertheless the Emperor shows his fear when he would normally install the fear into you before he made a fool out of you for pure luaghs but here he is Afraid of Death he is Afraid they will fail and lose everything. Even the Monster still fears something in the end, and it’s always the Darkness that takes all life in the end. Death
So far, this was the only time onscreen that any of the Skeksis (besides SkekGra) talk anything about their former selves as UrSkeks. The Skeksis definitely view the Division as a victory because they were freed of their remorse and regret. They knew that if they were to ever reunite with the UrRu and return to their true form they would feel all those things once again.
This scene makes me wonder what they were all like as UrSkeks. They must have been such a thorn in the side of the UrSkek Collective that their banishment was necessary. Effectively, they were all guilty of a “Thought Crime.” Just imagine being part of a Society where everyone is “on the same page,” and there is no dissension at all.
I feel like the Skesis are the closest things to great Disney villains we have now a days. Disney just keeps doing that stupid surprise villain thing in the last few minutes of their current movies. I guess they think that give them more depth but here with the Skesis it shows that you can somehow give horrible people some moments of sympathy but it does not change the fact that their terrible. I would rather have villains like these than stupid Hans from Frozen.
Even he is a wicked emperor he still cares about his own race, the world they created for their natural way and wondering about dreams between heavenly ones and a nightmare, like the one in the past. This interesting scene reminds me of how other characters like the Daleks are discussing about what fate they would choose than been chosen by their enemies. I almost imagine of what was like from surviving of this kind of tragedy from the past then present after finally seeking triumph and control. I respect and like part of Skeksis than just greed and disloyalty.
Shocked me to my core that the Skeksis remembered concepts like guilt and sorrow. This was eye-opening, important and courageous to say in the context of the story. Gen0cidal overlords having tender sympathetic dialogue about their vulnerabilities…then showing the audience that they have sentiments & emotions that they fear and hate so much they just disregard them. Chills.
A great scene from a great show. I almost wish now that the show wasn’t so great since they will most likely not finish the series. I guess we’ll just have to imagine what happens between the one season we got and the one movie. I could more easily accept the death of the series if it weren’t so great.
I always assumed if they died without being rejoined they just disappeared forever. Like there was no afterlife for mystics or skesis because they are just a split of one soul. Going back into the old legends of alchemy from german myth and the idea you could rip a person’s soul into pieces so they could cheat death, it was believed that if the user and all his pieces died then he would just vanish. No afterlife or anything. Harry Potter, 9, full metal alchemist, even the dark crystal tap into the myth about spliting your soul into different vessels. But it all comes from european legends, mostly based from germany.
“Ay, but to die, and go we know not where, To lie in cold obstruction and to rot, This sensible warm motion to become A kneaded clod; and the delighted spirit To bathe in fiery floods, or to reside In thrilling region of thick-ribbèd ice, To be imprisoned in the viewless winds And blown with restless violence round about The pendent world; or to be worse than worst Of those that lawless and incertain thought Imagine howling—’tis too horrible. The weariest and most loathèd worldly life That age, ache, penury, and imprisonment Can lay on nature is a paradise To what we fear of death.” – Claudio, Measure for Measure, Act Three, Scene One