“Black Magic Woman” is a 1968 song by British blues band Fleetwood Mac, written by Peter Green. The song was inspired by Green’s former girlfriend, Sandra Elsdon, whom he called “Magic Mamma”. The evolution of the song dates back to 1957, with an obscure record by Chicago guitarist Jody Williams. The song was the first single from Fleetwood Mac’s second album, Abraxas, released in September 1970. In August 1969, the band delivered one of the most memorable performances.
The song was not originally written by the band, but by Peter Green, a British guitarist. Green was a clean guitar player who rarely used fuzztones or pedals. The song became famous in the 1970s when it was released as the first single from Santana’s album Abraxas. The song, as sung by Gregg Rolie, reached number four on the US and Canadian charts.
The song was originally a Fleetwood Mac song, but later covered by Carlos Santana, making it the most famous version. The song was later included on Fleetwood Mac’s Greatest Hits and Vintage albums. The evolution of “Black Magic Woman” stretches back to 1957, with the song’s evolution extending back to the early 1950s.
📹 Who sang Black Magic Woman first?
Unleash the mystery behind the iconic song ‘Black Magic Woman’ – Did you know it was first recorded by Fleetwood Mac in 1968?
Who sang the original old black magic?
Glenn Miller’s 1943 recording of “A Pink Cocktail For a Blue Lady” reached number one on Billboard, featuring Skip Nelson on vocals. The song was first recorded by Gordon Jenkins and his Orchestra on July 9, 1942. Judy Garland later recorded her own version, which was released as a single in January 1943. Five other recordings were made in 1942, and the song has become an often-recorded standard.
The song was written by Mercer with Judy Garland in mind, and it was recorded by Billy Daniels in 1949. The Glenn Miller recording was released by RCA Victor Records as catalog number 20-1523-A, with “A Pink Cocktail For a Blue Lady” as the B side. The song spent 14 weeks on the Billboard magazine charts, peaking at position number 1 for the week of May 29.
Various versions of the song have been released, including the original single release by Miller, by singers Margaret Whiting, Frank Sinatra, Sammy Davis Jr., and others. The song was performed on Sam and Friends by Sam and Kermit the Frog, and Bobby Rydell’s version was released as a single on Cameo in 1961.
Various artists have recorded versions of the song, such as Ann-Margret, Johnny Mathis, Bob Dylan, Frank Sinatra, and Billy May. The song has become an iconic symbol of magic and has been performed by various artists throughout history.
What guitar did Santana play on Black Magic Woman?
“Black Magic Woman” is a song by Carlos Santana, written by Peter Green, about a mischievous woman who nearly blinds him with her black magic tricks. Inspired by his former girlfriend, Sandra Elsdon, who he nicknamed “Magic Mamma”, the lyrics were inspired by Green’s former girlfriend. The song was first released on Fleetwood Mac’s 1968 compilation English Rose, and later became a classic hit for Santana. The song was bolstered by “Evil Ways” from their 1969 album and the Fleetwood Mac cover, which was sung by Gregg Rolie and featured Santana’s mystical solos.
Who was the first singer for Santana?
Gregg Rolie, known for his roles in Journey and Santana, is a renowned musician who has made two Rock and Roll Hall of Fame appearances. He was the original lead vocalist for the group and played keyboards on their first three albums before Steve Perry took over as frontman in 1978. Rolie has also played keyboards on massive hits like “Lights”, “Wheel in the Sky”, and “Lovin’, Touchin’, Squeezin'”. He has recently released a solo disc, Sonic Ranch, and has toured with Ringo Starr in his All Starr Band for six years.
Rolie’s first meeting with Carlos Santana occurred in a tomato patch, where he met him at a local hamburger stand called Tick Tock in San Francisco. He later parted ways with Santana and Journey, focusing on his solo career and his future plans.
Why is Santana so famous?
Carlos Augusto Alves Santana is a Mexican American rock guitarist who gained fame in the late 1960s and early 1970s with his band, Santana. The band pioneered rock, salsa, and jazz fusion, featuring melodic, blues-based guitar lines set against Latin and African rhythms featuring percussion instruments like timbales and congas. Santana experienced a resurgence of popularity and critical acclaim in the late 1990s, with Rolling Stone listing him number 15 on their list of the 100 Greatest Guitarists of All Time in 2003. He has won 10 Grammy Awards and 3 Latin Grammy Awards.
Santana was born in Autlán de Navarro, Jalisco, Mexico, and learned to play the violin at age five and the guitar at age eight. He moved to Tijuana, the border city between Mexico and California, and then San Francisco. He graduated from James Lick Middle School and Mission High School in 1965, where he was taught by famous guitarist Javier Bátiz. In San Francisco, he saw his idols, B. B. King, perform live and was introduced to new musical influences, including jazz and folk music. After working as a dishwasher in a diner and busking for spare change, Santana decided to become a full-time musician.
In 1966, Santana gained prominence by a series of accidental events at Bill Graham’s Fillmore West. He was a frequent spectator during a Sunday matinee show when Paul Butterfield was unable to perform due to being intoxicated. Santana’s manager suggested joining the impromptu band, and he formed the Santana Blues Band with fellow street musicians David Brown and Gregg Rolie. Their highly original blend of Latin-infused rock, jazz, blues, salsa, and African rhythms gained an immediate following on the San Francisco strip club.
Who taught Santana guitar?
Carlos Santana, born in Autlán de Navarro, Jalisco, Mexico, was heavily influenced by Ritchie Valens and moved to San Francisco with his family. He graduated from James Lick Middle School and Mission High School in San Francisco, where he was taught by famous guitarist Javier Bátiz. Santana was introduced to various musical influences, including jazz and folk music, and witnessed the growing hippie movement in the 1960s. After working as a dishwasher and busking for spare change, Santana decided to become a full-time musician.
In 1966, he gained prominence by a series of accidental events at Bill Graham’s Fillmore West. Santana was a frequent spectator during a Sunday matinee show when Paul Butterfield was unable to perform due to being intoxicated. Bill Graham assembled an impromptu band of musicians, and Santana’s guitar playing and solo gained the notice of both the audience and Graham. In the same year, Santana formed the Santana Blues Band, with fellow street musicians David Brown and Gregg Rolie. The band’s early success, capped off by a memorable performance at Woodstock in 1969, led to a recording contract with Columbia Records, then run by Clive Davis.
Who was the original singer of Black Magic Woman?
“Black Magic Woman” is a 1968 song by the British blues band Fleetwood Mac, written by Peter Green. Subsequently, the song was included on their compilation albums, Greatest Hits and Vintage Years. The song is a synthesis of blues rock, Latin rock, and psychedelic rock.
Who is the lead singer of Magic?
Magic! is a Canadian musical ensemble based in Los Angeles. It is comprised of lead vocalist, guitarist, and producer Nasri Atweh, keyboardist Mark “Pelli” Pellizzer, and bassist Ben Spivak. The group performed in 2014, with the following members: Alex Tanas, Mark Pellizzer, Nasri, and Ben Spivak.
What girl group sang black magic?
“Black Magic” is a teen pop and dance pop song by British girl group Little Mix, released in May 2015 as the lead single from their third studio album, Get Weird. The song, influenced by ’80s pop music, received acclaim from music critics for its catchy sound and upbeat tempo. It was the first Little Mix single to reach number one on the UK Singles Chart since ” Wings” in 2012 and the first song by an all-female group to reach number one since 2013.
The song remained at number one for three consecutive weeks, becoming the first song by a girl group to spend more than a week at number one since ” About You Now” by Sugababes in 2007. It was the fifth-biggest selling girl group single in the UK between 1994 and 2019.
Who is the singer of magic?
Magic! is a Canadian musical ensemble based in Los Angeles. The group’s members include lead vocalist, guitarist, and producer Nasri Atweh, keyboardist Mark “Pelli” Pellizzer, and bassist Ben Spivak. The group performed in 2014, with Alex Tanas, Mark Pellizzer, Nasri, and Spivak in attendance.
What is black girl magic?
Black girl magic is a concept that acknowledges the unique beauty, strength, and wisdom of black girls. It asserts that they are more than their physical appearance, and that they can create their own unique definitions of beauty. Black girl magic encourages the recognition of their worth and the expectation of support in their journey towards self-love. It emphasizes that black girls are not just about their skin color, but also about their innate strengths and talents, which can be appreciated and celebrated as such.
It also encourages standing up for themselves and each other when they are disrespected, and recognizing and valuing themselves despite the world’s perception of them. Black girl magic is a reminder that black girls are powerful, complex human beings with dreams, aspirations, and desires, and that they deserve to be celebrated and celebrated.
Who sang Black Magic?
“Black Magic” is a teen pop and dance pop song by British girl group Little Mix, released in May 2015 as the lead single from their third studio album, Get Weird. The song, influenced by ’80s pop music, received acclaim from music critics for its catchy sound and upbeat tempo. It became the first Little Mix single to reach number one on the UK Singles Chart since “Wings” in 2012 and the first song by an all-female group to reach number one since 2013.
The song remained at number one for three consecutive weeks, becoming the first song by a girl group to spend more than a week at number one since “About You Now” by Sugababes in 2007. It was the fifth-biggest selling girl group single in the UK between 1994 and 2019.
23 year old Peter Green and 19 year old Danny Kirwan burning down the house in Boston USA in Peter’s widely-copied original tune. Lead lines are wonderfully interlaced by these two exceptional young guitarists with Peter’s vocals sealing the magical connection. RIP Peter and Danny. We still love you both!
I was 16, loved The Mac, Santana and the Stones, took for granted that music would be 70s quality or better for my whole life. I also thought that England would win the world Cup every 2nd time and West Ham Utd would do the same for the FA Cup. Just didn’t realise that was the pinnacle and I was lucky to be alive at the same time.
Peter Green was awesome. ALBATROSS is probably one of the best instrumentals ever. I wish the article showed more of him playing but how awesome to see this now. Time flies but some songs will be around forever. His Blues Jam in Chicago is great too. Can’t remember the real name of the double album now…age related memory loss…
This performance is like a painting master piece, not fully apreciated on its time, but until later, by taking you to a memory in the past music can make you realize you were very happy then and you did not realize it. Santana or Green they were just happily living their moment, we should follow that magic trick!!
Phenomenal and humble Peter Green, that magic touch and heavenly tone, a brilliant voice, composer of brilliant songs, a talent so admired by great players and novices alike. This is another epic performance from the whole band, this line up was so strong, all so good together. Now rest easy Mr Green, we will never forget and we will continue to listen 👌🏻
Remember Black Magic Woman we remember the Peter Green and Santana. BLACK MAGIC WOMAN of PETER GREEN Got a black magic woman I got a black magic woman Yes, I got a black magic woman Got me so blind I can’t see But she’s a black magic woman And she’s tryin’ to make a devil out of me Don’t turn your back on me baby Don’t turn your back on me baby Yes, don’t turn your back on me baby You’re messin’ around with your tricks Don’t turn your back on me baby ‘Cause you might just break up my magic stick You got your spell on me baby You got your spell on me baby Yes, you got your spell on me baby You’re turning my heart into stone I need you so bad, magic woman, I can’t leave you alone Yes, I need you so bad Well, I need you darling Yeah, I need you darling Yes, I want you love me I want you love me Whoa, I want you love me, ah Whoh, yeah Oh, whoa, baby Yes, I need your love Oh, I need your love so bad I want you love me Songwriters: PETER GREEN
Lyrics: Got a black magic woman Got a black magic woman I got a black magic woman Got me so blind I can’t see That she’s a black magic woman She’s tryin’ to make a devil out of me Don’t turn your back on me baby Don’t turn your back on me baby Yes, don’t turn your back on me baby Stop messin’ around with your tricks Don’t turn your back on me baby You just might pick up my magic sticks Got your spell on me baby Got your spell on me baby Yes you got your spell on me baby Turning my heart into stone I need you so bad magic woman I can’t leave you alone Artist: Fleetwood Mac Album: English Rose (US) and The Pious Bird of Good Omen (UK) Songwriter: Peter Alan Green Song: Black Magic Woman
Peter Green WROTE “Black Magic Woman” and it first appeared as a single in various countries in 1968, and FM’s albums “English Rose” in the US and “The Pious Bird of Good Omen” in the UK, both released in 1969.. (both of those LPs are in my vinyl collection, along with what, IMO is the best original (i.e. Peter Green’s Fleetwood Mac) LP, “Then Play On”.. the first release.. when TPO was remastered and re-released on CD, the full-length “Oh Well” and “The Green Manalishi (with the two-pronged crown)” were added.. they were not on the original LP, at least, not the US version.. during that period, FM had three lead guitarists: Green, Danny Kirwin, and Jeremy Spencer.. I don’t see Spencer in this article of BMW.. Kirwin’s the blonde guitarist.. Santana covered it two years later, in 1970.. the Santana cover charted higher, and that’s the one the current commercial rock stations play.. you’ll almost never, if not just plain never hear the original Peter Green version on commercial broadcast rock stations.. most of todays dumbass rock station audiences don’t even know this was not an original Santana song, and have never even heard of Peter Green, because HIS Fleetwood Mac gets virtually no airplay, except, perhaps, on non-commercial College stations.. with many personnel changes since 1968, the Fleetwood Mac of today, fronted by that girl who turns my stomach (well, she may be attractive, but that’s it), is a mainstream hit machine, not a blues band.. almost the same sort of radical change happened with Genesis, after Peter Gabriel and Steve Hackett left, and Phil Collins took over.
Nice. Peter Green can embrace this song, make it his own, because it is. He lived it to come up with it. That makes it real. No substitute for that. So sorry he has to deal with mental illness. It’s torture. I’ve witnessed so much suffering in my 25 years as a psych nurse. I hope that someday we have better, less uncomfortable treatments. I’m happy to have seen him live in my city on one of my birthdays. I was about 15 feet from him. Too much soul to control. A gifted musician, and a gift to us.
My good it blows me away ervery time, yes 1970 how beautiful how super He was and can’t anderstand that nobody around him, friends, girlfriends, wife …..,was going against the bad things who happened afterwards 🖤 He was an research Institut wich named psychatry,they made experiment with him and everybody just looked for it, unbelieveable,
I met Peter Green at a free Small Faces concert at Goddard College in Vermont in October 1970. He had quit Fleetwood Mac and was hanging out at Goddard. I got there early and he was sitting in the “bleachers.” (The venue was a big barn, so the bleachers were thick wooden planks.) We chatted for a few minutes and then he left. Rod Stewart had voice issues that night, and the show ended up being a Peter Green/Ron Wood jamfest. Tasty!!!