Max Landis, a Los Angeles-based screenwriter, director, and producer, has released a 150-page conspiracy theory about Canadian pop singer Carly Rae Jepsen. The “living document”, as he calls it, is a “living document” that argues that Jepsen secretly sings about the same thing. Landis, who is known for his work on Chronicle, American Ultra, and the upcoming remake of his father’s film An American Werewolf in London, has launched a new website called A Scar No One Else Can See.
Jepsen, a Canadian singer and songwriter, gained mainstream attention after placing her music video “Run Away”. Her songs have an uncanny knack for becoming memes, and her music has become a weaponized queen and an object of critical fascination in the 21st century. In the build-up to the chorus, Jepsen declares, “But I’m so damn scared / You don’t even care”, an enormous Carly-esque confession punctuated by the underlying drums.
Landis believes that Jepsen’s music is about the same thing, and he has written a 150-page manifesto to prove it. He believes that Jepsen is just a fun pop artist with exceptionally catchy choruses, but once Landis began to listen to the lyrics, he found that Jepsen still feels paradoxically underestimated. Landis’s theory highlights the importance of understanding the complexities of music and the influence of social media on music.
📹 The Mindbending Truth About The Music Of Carly Rae Jepsen
00:00 THE DARE 02:15 Discovering The Pattern 04:08 The 3 Acts 12:41 The Leitmotifs 19:39 The Seven Themes 22:09 Brief “The …
Who sings the loneliest time with Carly Rae Jepsen?
Carly Rae Jepsen’s sixth album explores solitude through catchy pop cuts like “Talking to Yourself” and “So Nice”, as well as tracks that feel very much like her catalog. The title track, a thumping yet wistful duet with Rufus Wainwright, falls under the “sad banger” category. Jepsen shares that it’s about the fantasy of going over to your ex’s in the middle of the night and pouring rain to rekindle what was not finished.
The Canadian singer also showcases her sardonic side with “Beach House” and “Western Wind”, while “Go Find Yourself or Whatever” is a stark sonic departure, a downcast ode to a restless lover with a country vibe. Jepsen recalls that Batmanglij reminding her of “Go Find Yourself” helped her challenge the idea of her sound and answer with an absolute “yeah, there are no rules”. This album allows for exploration of multiple aspects of an artist, challenging the idea that a pop artist has to be one thing and allowing for more exploration.
Has Tom Hanks been diagnosed?
The recent diagnosis of Type 2 diabetes in actor Tom Hanks may have been precipitated by his history of “yo-yo dieting” for movie roles, which has been identified as a risk factor for the disease. Dr. Christopher Ochner, a PhD from Mount Sinai, cautions that excess body weight can result in the body adopting the higher weight, given the limitations of time. His disclosure has prompted speculation regarding the underlying cause of the disease.
Why did Tom Hanks do Carly Rae Jepsen video?
Tom Hanks is known for his friendship with Scooter Braun, who shared his concept for a male lead in a Christmas clip with Jepsen. Jepson had a vision for a comedic and funny lead, and Hanks was initially reluctant to ask for a male lead. However, Hanks was approached by Scooter three days before Christmas, and she was excited to accept the offer. The clip is expected to be released in December.
Is Carly Rae a one hit wonder?
A one-hit wonder is a term that often refers to a band or artist who has only cracked the Top 40 of the Billboard Hot 100 once. This list of the greatest one-hit wonders includes both obscure artists and long-running acts with one proper hit single under their belt. The list spans decades and genres, and despite the term’s pejorative labeling, every song on this list can vouch for the greatness of every song.
One notable example is 25: Mercy: Love (Can Make You Happy), which has a strange beauty with its funereal pace and spooky harmonies. The lyric is both gorgeous and unearthly, making it fitting that the group vanished afterward. The leader was drafted, and the song’s unique blend of spooky and feel-good mood makes it a memorable one-hit wonder.
Why did Carly Rae Jepsen go blonde?
Carly the performer, known for her brown hair and safety bangs, explains that she became drawn to the feeling of chameleoning herself, which boosts confidence and identity. She describes herself as the girl next door with brown hair and safety bangs, and the first time she dabbled in hair color, she felt like a new person. Carly maintains that her theatrical side onstage is always her own, unlike Beyoncé’s Beyoncé-like persona.
She enjoys the mullet hairstyle, which she finds fun and bold, and believes it empowers her. She doesn’t want to be Goldilocks or Goldilocks, but rather wants her edge. Carly’s theatrical side onstage is always her own, and she doesn’t feel dissonance between herself and the performer.
What did Carly Rae Jepsen do?
Canadian singer, songwriter, and actress, Carly Rae Jepsen, was born in 1985 in Mission, British Columbia. She began writing music at a young age and has released six studio albums, a b-sides album, and two extended-plays. Jepsen placed third on Canadian Idol in 2007 and has since become a multi-platinum Grammy nominated artist, earning critical acclaim and a Diamond certified single. Born to Alexandra Lanzarotta and Larry Jepsen, she is the second of their three children.
Did Carly be filed for divorce?
Michael Ray, a country singer and songwriter, and Carly Pearce, a country singer and songwriter, were in a public relationship in 2018. They got engaged in December 2018, and they married in an intimate ceremony in October 2019. However, things quickly went south, and Pearce filed for divorce in June 2020. She cited irreconcilable differences as the reason for their split. Less than a year after her divorce, Pearce entered into a serious relationship with former Minor League Baseball player Riley King.
They dated for over two years, appearing on red carpets and at awards shows together. In June, they confirmed their split, and King expressed his wishes for Pearce’s well-being in both her career and personal life. He stated that they were not right for each other and that he is on a beautiful journey. Pearce expressed excitement about the next chapter of her life.
What are Miley Cyrus fans called?
Those who are fans of Miley Cyrus are known as “Smilers,” those who are fans of Waterparks are known as “Blondes,” and those who are fans of My Chemical Romance are known as “Killjoys.” The latter is based on the album Danger Days. The True Lives of the Fabulous Killjoys. Previously, the majority of fans referred to themselves as the “MCR-my.”
What do Carly Rae Jepsen fans call themselves?
Many fandoms in popular culture have unique names that differentiate them from other fan communities. These names are popular with singers, music groups, films, authors, television shows, books, games, sports teams, and actors. The trend of giving a name to a group of fans became more common in the early 21st century, with the development of social media. The Cardiacs, a popular band, has a growing number of hardcore Pondies who flock to their shows for the sights and sounds. Some of these names are coined by fans or created by celebrities themselves. The trend of giving a name to a group of fans became more widespread during the early 20th century.
What happened to Jade and Carly?
Bachelor in Paradise fans have been supporting the best friends Carly Waddell and Jade Roper as their romantic relationships have evolved. Jade married Tanner Tolbert in 2016 and Carly split from Evan Bass in December 2020. The best friends have five kids under five and use their podcast Mommies Tell All to share their highs and lows, while also supporting one another and the women listening to their relatable stories. Bachelor Nation has continued to support the pair as they navigate their newfound motherhood and their personal lives.
What happened to Carly Rae?
The artist has undergone a transformation, adopting the style of an “indie” pop artist and releasing new albums in 2019 and 2020. It is anticipated that she will headline Coachella this year, with the potential for the release of new music. Her pop music is of the highest quality, and fans would be well advised to familiarise themselves with her essential works.
📹 UNCOVER THE PATTERN – https://www.ascarnooneelsecansee.com/
“There’s going to come a point, if you keep reading, where you are set up, by the premise of what I’m proposing, to play the cynic, and say “Well you’re just reading into it” or “All pop songs are like that” or something to that effect. I would suggest not taking this stance until you finish. If you finish at all. As I said, once the Jepsen Pattern becomes evident, the song-by-song is going to be the cartoon equivalent of a character repeatedly smashing themselves in the head with a hammer.”
When I heard Tswift’s “Ready for it” last week, I couldn’t even get through the first listen without thinking of CRJ. Specifically the chorus line: “In the middle of the night, in my dreams You should see the things we do, baby” Like those words/ideas are the most dead on signature CRJ lines I’ve ever heard, but they’re in a Tswift song. There’s even the “mmm” she puts in after baby which feels like such a Carly thing to do. But then the chorus resolves to: “I know I’m gonna be with you So I take my time” Which is like, the MOST UN-CRJ thing possible. Carly would NEVER express with confidence that she knows she’s gonna get the guy and it’s gonna work out. She NEVER can take her time. There’s always this desperate urgency. All of which is to say, that I think this backs up Max’s point. Like, sure, other artists may express this kind of desperate longing for someone to like them back. But ultimately they temper that idea with others, or the story progresses and the people happily get together, or something. It’s ONLY CRJ who focuses so relentlessly and exclusively on unbearable unrequited love/obsession.
Ever since I was a boy capable of rational thought, I’ve been looking for a piece of media/artist that would have either the genius/balls to create a line of work that had a hidden meta-narrative, that only came to light years, or even decades afterwards. I thought Hideo Kojima was the first, but after the tragic bungling of MGSV, I wasn’t so sure it would be him. But this. THIS scratched that godforsaken itch that Morpheus talked about. That feeling of knowing something was wrong with the world, but not being able to put your finger on it. KNOWING, DEEP DOWN in your gut that there was something there, in an album or a game that EVERYONE LOVES. something that nobody has noticed but you. Thank you for the catharsis, Max. This is going to be one of those works i re-experience every year or so.
I just spent the last four hours reading this start to finish. I thought it was brilliant, especially as a songwriter myself, it’s fascinating to dissect lyrics and piece together the story, the pain and the emotion of how it all came to be. You know what really hit me, though? What was particularly cathartic is that fact that due to the narrative, I caught myself pausing and reflecting on my own life and realising times when I had felt exactly the same. Whether I had acted or felt like a Carly and when others had acted towards me (and must have felt) like Carly. I’m glad mental illness was touched on by the thesis, I have a feeling (maybe, you do too) that at the very bottom of this rabbit hole is someone who, maybe over a period of time or, maybe even just one moment, was truly mentally broken by traumatic, emotional experiences relating to “love”. That spoke to me on a profoundly deep level, I can remember specifically when and how that same “something” happened to me… Anyways… Your pacing was exceptional 😀 thank you.
I read all of this. Absolutely brilliant work. Your madness isn’t madness dude. You’re spot on, and it’s actually got me questioning what exactly I’m paying attention to when I listen to my pop music. I know Pearl Jam frequently references events and people from other songs, but this is next level stuff. Wow.
BUT MAX, What if you just killed her career? I just finished reading it. The entire thing, every word. I’m a huge CRJ fan and I loved it and I love you and it was great and thank you for your insane efforts. But I’m being entirely serious when I worry that you might have just derailed out greatest contemporary popstar. What if she has no idea what she’s doing? What if she first becomes aware now, as someone has probably already tweeted this at her, or they inevitably will. Can you imagine how incredibly self conscious she is going to be? If she wasn’t aware of what she’d been doing, she’s now going to be CRIPPLINGLY aware. Like can you imagine someone handing you the document that spells out how your entire life’s work has fit into a rigid pattern? Where the hell would you from there? What if she goes nuts and never writes another song???
max, wtf have you done. This was a nuts read. I really want to know more now…but it also feels like we shouldnt know? Like…this may be some really, really heavy shit that could ruin her and the man’s lives. Its truly crazy. That underlying idea that seems to always come through each song is almost like something she cant control !
I just read most of the article; skimmed only about 30 pages of it. And Max is completely right. It leaves me in a place where I really felt sad for Carly. I mean she’s been writing and singing about the same pattern and story since she was… what? 16? WHY? HOW? What force behind this universe compels her to do so?
Holy fuck, I just read all 150? something pages and my mind is blown beyond repair at the moment. I fear I will need a few weeks to recouperate after that journey but I just had to stop by and say thanks for a fucking wild ride, one of strangness, happiness, sadness and overall mind fuck. No matter what you seem to write your talent is out of this world and you’ll always be my favourite writer and biggest inspiration, keep on keeping on my man and stay weird! Edit PS, it actually is beginning to seem like everything in this crazy world is actually fucking connected, I don’t know how you know, I just know that you somehow know. That is all.
“what does it mean?” just a hypothesis here, but: What if all these songs, all these albums, were meant to keep the fire burning, a signal pyre, for Emotionally Unavailable Guy? Now that she’s of significant reputation and of age, she’s still hoping He get’s the message as you, me, we all did? And because of the very facile discretion of her message, he would have already caught on this narrative, perhaps even before you did? The only reason i believe to be feasible at this point as to why no story of her most palpable dream come true popping up in the news, and the fact that she still continues to write songs of the same nature is simply because He fears the discovery of His intimacy with her in her teen years will ruin His career, and most likely lead to legal reprimands given that there are clues hinting that He was not from or currently resides in Canada? that, or He really has moved on, leaving Her still desperately waiting. EDIT: Sorry if I’m a year late for the party. I only discover this article through Digibro’s article about Makoto Shinkai. Anyway, thanks for the amazing read. I loved every page of it; every satisfying click when lyrics would connect, every Carly Rae Jepsen pun, and every colorful side story of your journey & audience self-insert hypotheticals. You’re not crazy. You’re a genius too.
There’s an error in the website’s text of the pattern essay. I have not checked the pdf. In the dissection of Black Heart, you state the lyrics (correctly) as “but dont you cry to me” but then in the analysis you quote it (and interpret) it as “but you dont cry to me.” “Dont you cry to me” seems more like an “i told you so” whereas “you dont cry to me” could be seen as a plea for someone to open up to the narrator. Just fyi. Great read.
I read the thing expecting a twist at the end since I discovered Max through his awesome freestyle movie pitches. I’ve come to the conclusion that he is crazy.. and so is Carly. Possibly so am I as I listen to an artists catalog I would never have given another glance. Maybe that’s why Max had to be the one that discovered this, every boundary pushing artist has to be ridiculed by their peers otherwise they are just fitting right in and not doing anything real or different. Thanks for the insanity, it’s got the creative juices flowing in at least one fan now.
Now that I’ve read through your ravings and come through the other side a member of your Carly Cult, I’d be interested to hear your take on the lyrical musings of another bit of pop: CHVRCHES. Or rather, I guess what I’m saying is, “I find your ideas intriguing and would like to subscribe to your newsletter.” You said this is a thing you do a lot, right? Look for stories in lyrics? Please, sir, tell me another story.
Lloyd: Joe! Joe! She’s written 65 songs. 65. They’re all about you. They’re all about pain. Joe: So what’s up? Lloyd: So stop freaking with her head, man. Quit playing with her mind, you know? She’s a human being, she’s a person. She’s very talented. Joe: Dude, why do you think I keep her tapes? They’re gonna be valuable someday. -“Say Anything…”
My honest thoughts, having read the whole dissertation, and heavily summarized: 1. Fun stuff, and cool to see you get so invested into something. 2. That said, I sadly think the only thing that you’ve stumbled upon is something that’s more or less already known or apparent in pop music in general, as you alluded to at several points. You also asked a question at several points of ‘what is the point of these connections’. The answer to that question and the thing already known is that many pop artists, and I’m sorry, but typically many of the less talented ones, really do just sing about only what they know and have an extremely small repertoire of material to work with. It’s largely vapid material that, I’d bet a buffalo nickel on, you could try and look at with the same amount of sincerity and pattern seeking no matter who the artist is and also come up with 5 to 10 themes that are present in every one of their songs. Are CRJ’s themes perhaps a bit more interesting because they’re not the typical themes you would see in an absolute cookie cutter pop artist? Sure. But they’re also very hardly utterly unique and unheard of. Does she seem like she only sings about a specific failed relationship that impacted her whole view on love and being in relationships? Yeah. But where you see someone ‘singing about their hell’ I see someone that doesn’t have all that many interesting things to say so they just stick with the one interesting thing over and over and producers run with it and mix it to make it sound catchy.
So I read a few pages and most of the prefaces. I can’t tell of this is (A) An introdiction to this Narrator who will be a character in a incoming something.. (B) A guide to The Arch Plot a la Robert McKee’s Story, written in a form where the narrator has a strong pressence (those idiosyncracies like what). (C) or this is coded like those AR games some media use.
IS THIS REAL??? Please tell me. I don’t know if this is meant to be art or real. I need to know. Is this a weird internet pseudo-joke? Is this “satire”? Are you making a 150-page point about information and how people consume information? OR… Is Carly Rae so damaged by her failed romantic relationship that her entire catalogue is about the pain of that rejection? PLEASE LET THIS BE FAKE.
Not good Max. In the first few lines of ur article/dissertation/descent into madness u quote the Divine Comedy and claim that the line is in Latin. It’s actually Tuscan dialect of the time, called “volgare”. The comedy not being in latin is one of the reasons that made it so historically important, because it rapresents the basis for modern Italian.
I love you Max, but for real, “being dumped and wanting forever that person who left you” just doesn’t seem like it’s beyond the reach of coincidence and/or a pattern not worth getting excited about. Especially comparing it to if all the Beatles’ songs were about yellow submarines. How may artists are there whose only famous hits are unrequited love songs? At least half a percent of all famous artists maybe. So what percent of THOSE artists have recorded nothing else but unrequited love songs? Maybe four percent odd…? Isn’t that number still like in the thousands? And that’s just the famous ones. I admit I have no sources on this, but it sounds about right, no?
I guess I just have a hard time finding a reason to care. So a pop singer’s ENTIRE DISCOGRAPHY (less than 200 songs, right?) are all linked by one narrative. And the narrative is… the plot of a generic romance story? Something that could happen to almost any girl her age? Yeah it’s a more nuanced story than a typical song, but that’s because it spans several albums. I suppose it’s interesting that she never wrote any other stories in her career. Is that it though?
Ok. Every single song is about unrequited love/rejection/etc. Why is this something worth exposing or unveiling? I don’t get it. He keeps saying it’s uncommon for every single song by an artist to be about the same topic, but why does it matter? If anything, this shows extreme lack of versatility. I mean, I’m sure he’s joking, who in their right mind would write something like “This song is also about….take a deep breath… REJECTION. I couldn’t believe it when I first listened closely. She’s actually sad, but the song sounds happy, WTF THAT NEVER HAPPENS.”